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Image: Kitchen Katha, Writer: Surjit Patar, Director:
Neelam Mansingh Chowdhry, Music: B. V. Karanth, Group: The Company
(Chandigarh)
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Nemichandra Jain Memorial LecturesIn memory of Nemichandra Jain, founder chairman of Natarang Pratishthan, Nemi Nidhi and Natarang Pratishthan together organise an annual memorial lecture by leading cultural thinkers and practitioners. Natarang Rang SmaranRang Smaran is a series of a kind of oral history where legendary actors, directors, writers and designers of some of the pioneering Delhi groups- share their experiences and memory of how the groups were formed, how they were managed, their philosophy, their methodology, successes and failures. This will give you a rare and extremely lively glimpse into the history of Delhi theatre. Theatre Festivals and Plays
Workshops, Symposia, Lectures
Exhibitions and Book Releases
Dialogues
Rang SamvadThe series Rang Samvad features informal conversations with eminent playwrights, directors, actors, designers where they have shared their entire journey in theatre with significant landmarks. It is definitely very inspiring to hear about their struggles and efforts to overcome the challenges. Some of the artists featured in this series are Fida Hussain, an actor of Parsi theatre, Zohra Sehgal another legendary actress, Satyadev Dubey the controversial actor-director and Mahesh Elkunchwar the well known Marathi playwright. Play and Poetry Readings
Poorva Theatre Festival![]() One of the Pratishthan’s most successful international collaborations was in January 2003 when it organised Poorva, the first ever festival of Asian women directors. Participants from Asian countries and India brought together plays, stimulating debate and their concerns and issues on a common platform, to study the similarities in the works, literature, or environs in which they operate. International observers also participated in the deliberations. The theatre festival was held in New Delhi, but travelled to select parts of India for special performances. ![]() This was the first time that a festival of women directors, or of Asian theatre, was organised on such a vast scale. In collaboration with the National School of Drama, the Indian Council for Cultural Research, the and the Government of India’s Women & Child Welfare Department, the Pratishthan managed to stage a record 15 Indian and 5 Asian plays. Participants came from different parts of the world and included 120 delegates and observers from overseas alone. One of its major achievements was the focus it drew on women directors, their attempt to create a contemporary language in theatre from their traditional roots, and the attempt to understand each others methodologies, and encourage networking on a sustainable basis among themselves. It provided an opportunity not just for those actively involved with the stage, but also audiences, to gain a perspective about Indian/Asian theatre, and how it has evolved in different conditions, regimes and parts of the continent. An exciting part of the exercise was a four day seminar that concluded the theatre festival. This concentrated on the views of the women directors, of their artistes and other team players, and included debates with an audience from different parts of the Asian continent, as well as international observers. ![]() It is now hoped that Poorva will take shape as an event, either in India or in different Asian countries, and Natarang Pratishthan hopes to continue its engagement in this vital field. ![]() B. V. KARANTH“He was anarchic yet creative – demanding of himself & others. The sheer range of his work is staggering from classical both Indian and western – to the contemporary with a distinct feel. His production Macbeth as ‘Varnam Vana’ though controversial, is a land mark for the basic questions it throws up”.
Personal Tributes to B. V. Karanth – Kirti Jain
Business Standard (8 Sept 2002) “B. V. Karanth stood for many things in his illustrious career. The supremacy of the actor for one. And the need to come up with viable children’s theatre for another.” “Karanth was probably the only theatre personality whose audience, admirers and students are found in almost all the Indian languages”.
An actor director all the way
The Hindu (13 Sept 2002) “Talent, imagination staged success for Rangkarmi.”
Renuka Narayan
Indian Express (2 Sept 2002) "Mr Karanth was the doyen of Indian Theatre whose rich repertoire included plays, films and music of extraordinary depth. He also contributed to the world of Arts as an able administrator of different cultural institutions."
Former Prime Minister A. B. Vapayee’s condolence
message for B. V. Karanth
H.T.C., New Delhi (3 Sept 2002) |
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